I’ll rip ya bloody arms orf!
I can remember as a little kid being serenaded by the sounds of my mother singing a particular song, that started off like a lullaby. Like most of the songs mum sang as she washed the dishes of an evening, it either came from 70’s television or Jesus Christ, Superstar. But this one particular tune really stuck in my head. It was the tune that accompanied the closing credits of a pioneering Australian comedy series, a tune that went on to sell 250,000 copies and hold the number one spot on the charts for 22 weeks, an operatic rock anthem of its day. The song, “Farewell, Aunty Jack was, and still is, the most brilliant and utterly non-sensical anthem about an obese, violent, boxing glove wearing transvestite ever written .
Although I was too young to have a clue what it was all about, in later years I felt a great sense of nostalgia for The Aunty Jack show, which ran one never to be repeated series on ABC television in the early 70’s.
The show itself was completely off the wall, a pioneer in TV sketch comedy unlike anything ever before seen in Australia. Central to the show’s success was the songwriting team of Graeme Bond and Rory O’Donnahue, and their alter egos, Aunty Jack and Thin Arthur. It’s amazing to think Aunty Jack’s original offsider was a bloke by the name of Peter Weir - yes, the same one who directed Picnic at Hanging Rock, Gallipoli, and The Truman Show. The second series saw the creation of a new character played by Garry MacDonald - who would later go on to host his own TV show in the late 70’s as the hilarious Norman Gunston.
Tragically, in a fit of “tidying up” and as a result of crippling budget cuts in the 80’s, some well meaning dunce came across the original U-matic broadcast tapes of The Aunty Jack show, and folklore has it, erased them for re-use. It was long believed that all but a few hours of footage was lost forever.
Many years later some original footage from series one was found, and a 90 minute special was assembled. I managed to record this off TV - the one and only time it was aired - and it became one of my most prized possessions. It was through this tape that I really came to know the wonder of The Aunty Jack show, and it later became a favourite among several friends of mine who’d only ever heard their parents talk about it.
Last night I finally got to see the legends behind the ground breaking show in real life, possibly the last time they will perform this material together. The Aunty Jack Show… and tell is a retrospective, intimate, behind the scenes look at the lives of two amazingly creative individuals. Performed entirely by Graeme Bond and Rory O’Donnahue, the show follows the format of the bevvy of other recent “show and tell” productions trying to screw a buck out of an aging and nostalgic audience. But this one is much, much, more.
A few things struck me looking around the theatre before the lights went down at the start of the show. Firstly, I swear, with the exception of a guy next to us who’d brought his teenage daughter along, Miss R and I were the youngest people in the audience by quite a margin. Secondly, there were some people who’d done some serious drugs in the 70’s, and thirdly, there were some fine examples of 70’s facial hair on display. It’s like these guys got to 1973 and just went, “I’m really happy with this look.. I think I’ll just never shave again”. Shudder…
But we weren’t there to study prehistoric man, we were there to watch two of the most talented and creative individuals this country has ever seen re-live a wondrous snapshot of 1970’s Australiana. And they didn’t disappoint.
What you notice straight off is the chemistry these two guys have. Sure, you could say that in a career spanning 40 years you get to know each other pretty well - but it goes beyond that. They have this extra sensory perception of timing, and instantly fall naturally into harmony when they sing or play guitar together. Early in the show they took this literally - both playing a twin neck acoustic, Graeme’s arms reaching around Rory’s neck to reach the frets and strings. Throughout, I was blown away by the sweetness and timbre of Rory’s voice - but moreso by his fantastic muscianship. Every time he picked up the guitar it sounded like a serenade, and the sound and presence absolutely filled the large auditorium.
They performed many of the classic songs that I had come to know through the TV special I taped, including part of the hilarious “Origami Rock Opera”, Tarzan, Superape. I was swept away by their rendition of “feeding the ants”, a tune that accompanies a classic sketch featuring characters Neil and Errol who become trapped on a park bench - unable to ever leave for fear of killing “innocent” ants. “Last refrain” was also fantastic, an instant classic for me despite having never heard it before.
Now nearing 60 years of age, these two guys still had a presence that you rarely see in live performances these days. I felt like I was watching a piece of Australian history that had been snap frozen and perfectly preserved, performed by two of our most priceless, living, icons. The time just flew like a perfectly preserved Mini Cooper S, and it was sad to realise that the show was nearing its end. But in that, Rory and Graeme saved the best till last.
The crowd went mad as from stage right, Rory strolled on carrying an acoustic guitar, wearing the original Thin Arthur costume. More remarkable, he looked bloody amazing- having turned to Iron man competition in recent years and sporting a physique many in the audience 15 years his junior would be envious of. But when Aunty Jack bounced onto the stage from the left, gigantic blue floral frock and gold boxing glove positively glowing under the stage lights, the ovation was deafening. The Queen of Wollongong was back.
They played three encore tunes, but without doubt the highlight was hearing Rory perform the classic hit song from the show. A nice spin was put on Aunty Jack’s classic interjections, as they changed from present to past tense as in, “She rides a black bike” ( “I used to” ). The crowd sang along as he reached the chorus, and sang those immortal lines that have entered the Australian TV vernacular, “We know you’ll be back, though you’re ten feet tall you don’t scare us at all”. I’m not ashamed to say hearing it brought a lump to my throat.
It made me long for a time, long ago, when things were built to last. When style, wit, and natural talent were everything and production was nothing. When people who knew nothing but how to be entertaining could do so, without having to worry about what label they should endorse in their video clip. When two guys with guitars who wrote advertising jingles could pitch an utterly insane show at a television network - and be allowed to make it.
Farewell, Aunty Jack.
I know you’ll be back.
** sigh**












